Complete listing
The register
Twenty-five entries in filing order, grouped by section. Every row names the region and the community that works it.
| № | Tradition | Region | Worked by | Material | What holds it up, or how it is made |
|---|---|---|---|---|---|
| Water Architecture | |||||
| 01 | Going down instead of up | Gujarat, Rajasthan and the Deccan edge | Stone-mason lineages | Sandstone, granite | Corbelled galleries and beam-spanned bays retaining the excavation |
| 02 | Vav and baoli | Gujarat; Rajasthan and the Delhi region | Stone-mason lineages | Sandstone, lime | One long axial flight, or stepped sides on several axes |
| 03 | Stepped tanks | Karnataka and the Deccan | Stone-mason lineages | Granite | Dressed courses laid dry, stepped on every face |
| 04 | Corbel and beam | Across the stepwell regions | Stone-mason lineages | Stone | Courses cantilevered inward until they meet; no true arch |
| Printed and Dyed | |||||
| 05 | Ajrakh | Kachchh, Gujarat; Sindh | Khatri printers | Cotton, indigo, madder, alum and iron | Resist and mordant printed on both faces, in register |
| 06 | Mud resist | Bagru, Rajasthan | Chhipa printers | Cotton, clay resist | Carved teak blocks; fills laid first, outline last |
| 07 | Mordant and dye plants | Printing regions of the west and south | Printers and dyers | Alum, iron, madder, indigo | The mordant decides what colour the dye bath gives |
| 08 | Drawn kalamkari | Srikalahasti, Andhra Pradesh | Workshop painters | Cotton, iron mordant, myrobalan | Drawn with a kalam; colour fixed by mordant, not pressed |
| 09 | Workshop patterns | Block-printing towns of Gujarat and Rajasthan | Block-carvers and printers | Carved teak | A workshop is identified by its block set |
| Woven Cloth | |||||
| 10 | Brocade | Varanasi, Uttar Pradesh | Weaver families of the city | Silk, metal zari | Supplementary weft carried across a figured loom |
| 11 | Ikat and double ikat | Patan, Gujarat; Odisha; Telangana | Salvi weavers at Patan | Silk, cotton | Yarn resist-dyed before weaving; double ikat aligns warp and weft |
| 12 | Wool and shawl | Kashmir valley | Spinners and weavers of the valley | Fine goat fibre | Spun by hand to a thread no machine will take |
| 13 | Tapestry borders | Paithan, Maharashtra | Weaver families of the town | Silk, metal zari | Border and end-piece interlocked weft against weft, by hand |
| 14 | Looms | Weaving regions throughout | Weavers | Timber, bamboo, cord | Pit, frame and drawloom each set what a cloth can be |
| Temple Structure | |||||
| 15 | Nagara and Dravida | North, west and east; the Tamil country | Mason and sculptor lineages | Sandstone; granite | A curved shikhara against a storeyed vimana |
| 16 | Between the two | The Deccan and Telangana | Mason and sculptor lineages | Sandstone, basalt | Plans and towers that fit neither classification cleanly |
| 17 | Rock-cut | The western Deccan escarpment | Excavators and sculptors | Living rock | Cut away rather than built up; nothing can be added back |
| 18 | Plan and mouldings | Across both traditions | Mason lineages | Dressed stone | The base mouldings classify a temple more reliably than the tower |
| Spice Regions | |||||
| 19 | The Western Ghats | Malabar and the Cardamom Hills | Smallholders and estate pickers | Vine and understorey herb | Rainfall, altitude and shade decide what will grow |
| 20 | Dry-zone crops | The Deccan plateau and Tamil Nadu | Smallholders and graders | Rhizome, pod and seed | Dry ground, hard sun and a drying floor |
| 21 | Ground and whole | Trading towns of the south | Graders and merchants | Whole spice | Volatile oil leaves as soon as the spice is broken |
| 22 | Trade and godowns | Kochi and the port towns | Graders, sorters and merchants | Sacks, floors and scales | Sorted by size, density and moisture before it is sold |
| Colonial and Princely | |||||
| 23 | Iron and arcade | Mumbai and the port cities | Contract masons and iron founders | Basalt, brick, cast iron | Imported iron carries the load; the arcade shades the wall |
| 24 | Princely commissions | Princely capitals of Rajasthan and the Deccan | Court architects and local masons | Marble, sandstone, tile | Built to be read by two audiences at once |
| 25 | Layered ground | Delhi and other long-occupied sites | Successive builders | Reused stone | Four centuries of building standing on one plot |